The latest issue of
the academic e-journal Transnational Literature includes
a review of Five Wounds, written by Aliese Millington. An extract is below:
Think back to your first trip with Alice tumbling down the rabbit hole, or how it felt
to enter the Matrix after Neo takes the red pill. Five Wounds: An Illuminated Novel
takes you down a similarly twisting path and leaves you pondering the journey well
afterwards. Pooling influences trans-national, trans-cultural, trans-temporal and transart
form, authors Jonathan Walker and Dan Hallett spin the story of ‘five wounded
orphans [who] must face their traumatic origins’ (blurb). These tales are told through
the fascinating combination of Walker’s proclamatory prose, Hallett’s Goya and
comic-book influenced illustrations, a Bible-like layout and handwritten notations.
Described as ‘cruel and arbitrary’ (blurb) by the authors, the world of Five
Wounds looks and feels at once early renaissance, modern and apocalyptic.
I am particularly pleased to see a review in a journal on transnational literature, since many of the sources for
Five Wounds are Italian: notably, Italo Calvino and
Tintoretto. Below is a selection of transnational sources taken from a detail of an illustration (by Dan Hallett) on p. 100 of the novel.
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