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Thursday, July 28, 2011

Five Wounds: Review at 'The Spectator Book Blog'

There is a nice review of Five Wounds over at The Spectator Book Blog, by Isabel Sutton, which describes the book as an 'engrossing and original fantasy'. Here's an extract:

To my amazement, I began to lose my scepticism and turn the pages with a genuine care for the characters’ fates. I squirmed at the gruesome deaths and held my breath as the hero and heroine made their getaway; by the end I was greedy to know what happens, fully absorbed in the throes of the story. My progress was checked, however, when the ending arrived. There wasn’t one pat conclusion, but two. In a final act of literary guile, the book pushes you back to consider how – as well as what – you are reading.

Monday, July 25, 2011

Dan's Blog

Meanwhile, over at Dan's blog, he has been discussing the influences on his illustrations for Five Wounds, thus: Piranesi, Blake, Hogarth M. C. Escher, Chris Ware Francisco Goya, Umberto Eco

Saturday, July 23, 2011

Inspirations: The Holy Bible by Manic Street Preachers



I hate purity
I hate goodness
I don't want virtue to exist anywhere
I want everyone corrupt.

Thursday, July 21, 2011

Guest Post at Spike Magazine

Spike Magazine in the UK have now published a guest post I wrote for them on the design of Five Wounds. Below is an extract:

Imagine that the appearance of a book is part of the story it tells, as if it was an artefact created by the imaginary civilisation it describes. Book design becomes an aspect of what the science-fiction community calls ‘world-building’, and as such it applies the principle of ‘Show, don’t tell’ to the surface of the page itself. My fantasy novel Five Wounds uses design in exactly this way.

Thanks to Jason Weaver of Spike for arranging this.

Monday, July 18, 2011

Some Further Comments at 'Shelf Abuse'

I somehow missed some further remarks on Five Wounds by Carl Doherty of the 'Shelf Abuse' site, who concludes:

I couldn’t recommend Five Wounds: An Illuminated Novel more. An accomplished, multifaceted work that follows the twisted fates of five sympathetic freaks in what is essentially an alternate-history Venice, its synthesis of words and images is effective enough to change anyone’s preconceptions about them thar picture books.

See here for a more detailed review by Carl. I also wrote a guest post for 'Shelf Abuse' on the influence of comic books on Five Wounds.