During the production of Pistols! Treason! Murder! and Five Wounds, a curious discrepancy was apparent. The text was subject to minute editorial supervision. Every word choice and aspect of the storytelling had to be justified. By contrast, Dan and I received very few critical comments on the illustrations.
One possible explanation for this discrepancy is that Dan and I work the illustrations over thoroughly before anyone else sees them: that is, we edit them ourselves. Whereas I need an outside perspective on the text, which is supplied by the publisher, for the images Dan and I provide that perspective for each other.
In practice, therefore, editing an image might mean changing the composition so that so that it exemplifies broader themes that run through the book as a whole. In other cases, we adjust stray details so that nothing detracts from the overall effect: as below in the transition between the first draft of what is now Plate 2, Cur's first murder, in Five Wounds, and the amended, final version underneath.
These two kinds of adjustment - to the underlying structure of the image and to particular details - correspond roughly to the structural edit and the copy edit of the manuscript. In other words, you edit an image according to much the same principles that apply when you edit text.
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