After completing my zine, Greenock/Gourock , mentioned in a previous post, I continued working on two other photo zines also relating to Gre...

I've just finished a new photo zine, called Greenock/Gourock . It contains 26 images, 13 from each of the two locations in the title, in...

Nice review of Push Process by Charlotte Haley in this month's Snack magazine, which you'll find online and around Glasgow:   The ...

Great review for my novel Push Process in The Scotsman today by Robert Cox : I have long been a fan of works of literature such as, say, S...

Just a quick reminder of two videos I did. The first is an introduction to the photosequence included in Push Process , my novel from Ortac ...

I have just self-published my zine A Zone , which is a photographic survey of the neighbourhood where I lived from 2018–21 – close to Glasgo...

Jonathan Walker’s new novel Push Process (Ortac Press, 2024) pushed a bunch of positive buttons for me. A nice write-up for Push Process at ...

Here's another short extract from Push Process , my novel with photographs from Ortac Press : Arbus said: there’s what you want people t...

My new novella from Ortac Press, Push Process , is about a photographer in Venice, and is built around a series of short essays on 'his...

Eugène Atget (1857–1927) is the earliest of the photographic influences for Push Process , both in the sense of his place within photographi...

We should picture the instrument which carries out our mental functions as resembling a compound microscope, or a photographic apparatus, or...

'I'm not interested in being cynical. I'm interested in being implicated.' Chris Killip Chris Killip was part of the las...

This image, of the interior of the Misericordia with frescoes by Veronese, c. 1968-70, is from a polemical work by Giorgio Lotti entitled Ve...